While the topic of R-ratings and comic books is currently circulating, I thought I’d throw in something that should actually be rated R and animated. And that comic book, my friends and frenemies, is Saga. From the wildly imaginative and filthy minds of writer Brian K. Vaughan and artist Fiona Staples, Saga is about as cinematic as you can get and I for one think it would make an incredible limited-episode animated property suitable for the likes of Netflix, HBO, or any digital distribution platform.
When I talked with Fiona recently, I mentioned the rumor that Brian K. Vaughan purposefully writes Saga in such a way that would make it impossible to adapt. There was definitely some debunking of the rumor, but what it really boils down to is Saga’s story with its sweeping alien landscapes, wide swath of fantastical and sci-fi characters, and its tendency to “go big or go home” doesn’t make it an ideal property for live-action adaptation. Animation, however, would definitely keep the visual elements necessary for crafting those essential pieces. Where the series could potentially run into trouble is its unapologetic approach to sex and “on screen” nudity. Given HBO’s love of full-frontal (at least where women are concerned), there would probably be less push-back, but a digital platform like Netflix might require some strategic planning and omissions.
And before you say, “But animation argle flargle bargle think of the children,” Netflix has a big hit already under its belt with BoJack Horseman about the tragic yet humorous life of the eponymous character voiced by Will Arnett. And though they have yet to announce a second season, Netflix took a chance on F is For Family based somewhat on comedian Bill Burr’s family and childhood experiences during the 1970s. I’m just saying, you see Frank Murphy’s (voice of Burr) balls swinging as he has sex with his wife. It’s from the perspective of their youngest son, but if they’re willing to lump that into a mature content animated series, then I’m pretty sure an animated version of Saga could get away with a naked troll-like monster. You know the one I’m talking about.
But we all know what makes or breaks and animated feature or series is the voice cast. The characters of Saga are fully realized people in the hearts and minds of its devoted fan base and they deserve some pretty stellar voices to bring them to life. I know voice director Andrea Romano would probably choose differently, but I’m gonna save her the trouble and cast the series for all of you lovely people. So, here’s my Saga voice cast.
Marko – Ian Anthony Dale
Marko wants to maintain that he’s a lover, not a fighter, but push him too far or threaten his family and he will tear you apart. Dale has spent a lot of his career playing well-meaning yet flawed characters and his time spent playing cops and the occasional criminal would help him find the balance in a conflicted character like Marko.
Alana – Janina Gavankar
Alana is an all-kinds-of-kickass person, but her hot-headed, shoot first attitude is tempered by her romantic side and a fierce love of her husband and daughter. She also swears like a sailor and has a fantastic wit. Janina Gavankar has played plenty of badasses in procedurals and genre television, so I’m confident she’d knock this one out of the park. She’s also a huge geek, so I’m certain she’d jump at the chance to play someone as complex as Alana.
Hazel – Melanie Chandra
Acting as narrator for the Saga comic, I could see an animated adaptation using the same framing device with an older Hazel providing context and her own special brand of humor. Though we’re not sure how old the Hazel in the book is, my thought is to pick an actress somewhere in the middle who could provide the maturity of the narrator but also provide dialogue for Hazel as she grows in the story. Melanie Chandra has a very youthful quality to her acting and voice, which gives her a lot of range to play Hazel through the many stages of life.
Izabel – America Ferrera
If you’re seen How to Train Your Dragon and its sequel, then you’re aware of how America Ferrera’s voice sounds coming out of an awesome character like Astrid. Playing Izabel would be no different. Izabel is a goof and as sarcastic as they come but she’s also the result of the ongoing war between Marko’s and Alana’s homeworlds of Wreath and Landfall respectively. She needs to be fun yet capable of gravitas, which Ferrera has already proven adept at handling.
The Will – Brian Bloom
I really enjoy Brian Bloom as a live-action actor, but he’s also one of the bigger names in the voice over industry where military-type games are concerned, which I think makes him perfect to play the jaded, heart-broken, yet well-intentioned freelancer The Will. Bloom could easily rely on the natural gravel of his voice or change it up and maintain a lighter tone to contrast with the morally ambiguous actions of a man thrown into the middle of a growing conspiracy. And is it just me or do Bloom and The Will share the same eyes?
Lying Cat/Sweet Boy – James Arnold Taylor
If you’ve never seen the movie I Know That Voice, go watch it and marvel at the vocal gymnastics of one James Arnold Taylor. He and Frank Welker are two of the most reliable creature voices in the industry. I’m giving the role to Taylor, however, because I think his ability to do aliens creatures is needed more in this instance. Though Lying Cat and Sweet Boy are, for all intents and purposes, a cat and a dog, they’re still aliens and Taylor could definitely add layers to his vocals that would make these creatures shine.
The Stalk – Nika Futterman
In her role as Asajj Ventress on The Clone Wars, Nika Futterman brought pathos to the servant of the Sith who could have easily been a one-note villain for the showrunners to throw at Ahsoka Tano on occasion. Thankfully, she made the character dark and lively, a trait she’s brought to many characters like Catwoman, Gamora, Lady Jaye, and Smellerbee. Who better to bring the wildly wicked The Stalk to life?
Prince Robot IV – Neal McDonough
The thing about Prince Robot IV is the actual voice behind him could literally be anyone since some digital manipulation is required to make him sound suitably robotic. That doesn’t mean, however, that you have to lose the actor in the process. Neal McDonough is a brilliant character actor who can just as easily play the hero as he can the villain. And though Prince Robot IV is ostensibly the villain for the first two volumes of Saga, there’s no arguing that his motivations are based on his desire to return to his wife and son. He’s as complex as Marko and Alana and he deserves nothing less than a great actor to provide his voice.
Klara – Tamlyn Tomita
Marko’s warrior mother is one tough nut to crack. She’s been hardened by the ongoing war and she’s only ever tried to prepare her son for the cruelty of the world around them and the suffering of their people. Her softer side is buried deep, but if you stick around long enough it will still take you a while to see it peek through. Tamlyn Tomika has had a long career of playing authoritative women and it would be exciting to hear her tackle such a robust character like Klara.
Barr – Sab Shimono
Sab Shimono is a well-respected character actor who is always a welcome sight no matter what he shows up in. He can be authoritative but there’s a gentle quality to him that’s perfect for Marko’s father, Barr. The counterbalance to Klara’s more militant style of parenting, Barr is a warrior but his strength lies in his ability to craft the armor necessary for battle. Or baby clothes. Ya know, whatever comes first.
Gwendolyn – Regina King
A member of Wreath’s High Command and Marko’s ex-fiance, Gwendolyn made herself known with one of the best splash pages in the early issues of the comic. There’s a Pam Grier-ness about her that immediately brings to mind a strong, powerful woman only interested in one thing: getting what she wants. I’m confident in the fact that Regina King could not only bring the forceful, no-nonsense attitude but her superb skills as a dramatic actress would be instrumental in peeling back the many layers of Gwen’s personality. And have you seen Boondocks? Girl’s got chops!
Slave Girl/Sophie – Amandla Stenberg
Like Hazel, Sophie grows up in the eyes of the reader, so having an actress who can still capture the innocence of a young girl and the haunted maturity of a child forced into an atrocious situation is a must have. Amandla Stenberg found her Hollywood footing as Rue in the first Hunger Games movie, so she’s definitely capable of channeling that type of wise-beyond-her-years tone that’s essential for Sophie. Similarly, her recurring role as Macey Irving on Sleepy Hollow gave her a character dealing with circumstances outside her control. So really, Amandla has been prepared for this role for a while.
The Brand – Vanessa Marshall
After listening to her voice strong, capable characters like Hera Syndulla on Star Wars: Rebels and Gamora on Marvel’s Guardians of the Galaxy, Vanessa Marshall is primed and ready to play freelancer The Brand. There’s a pragmatism and very Hellblazer-esque quality to The Brand, who also happens to be The Will’s sister, that makes her cool, calm, and collected no matter what the situation be it poisoning journalists or going after dragon splooge.
D. Oswald Heist – Keith David
Guys, do I even have to justify this one? It’s the freakin’ voice of Goliath. Keith David could read the phone book and I’d find it compelling, so him reciting Brian K. Vaughan’s dialogue would be icing on the cake.
Yuma – Susan Eisenberg
I may be biased, but that doesn’t change the fact that Susan Eisenberg has a wonderfully rich voice that would lend itself nicely to Yuma. One of Heist’s ex-wives, Yuma comes along a bit later in the book but she’s a visually striking creature and an artist to boot. And, yeah, she’s big on dealing drugs (metaphorically and in real life), but that doesn’t seem to stop her from being the hero when she’s needed most. I’ve always imagined Yuma with a very empathic voice and Susan, voice of the Justice League‘s Wonder Woman, just springs to mind where sympathy and empathy are concerned.
Ghüs – Yuri Lowenthal
An adorable little seal who wields a giant ax, Ghüs was basically a drawing in Fiona Staples’s sketchbook who became an example of what makes Saga such a visual feast for the eyes. It’s the contrast that works so well and quickly pushed Ghüs up there with wonderfully memorable characters from the book. So, how does one capture the cuteness and the potential for sweet, sweet ax-swinging glory? Simple: get Yuri Lowenthal. And that’s all the context I’m going to give you.
Upsher – Carlos Alazraqui
The writer of the dynamic duo of journalism, Upsher knows a story when he sees one and isn’t afraid to pursue it to the very end – even if that puts him and his partner (in career and life) in mortal danger. There’s definitely a desire to do good, but it’s countered by the love of being the one to break the story, which would make Upsher the fish-man version of Lois Lane. Carlos Alazraqui, I think, could bring out the sincerity and the ambition that drives the character.
Doff – Diedrich Bader
Upsher’s better half – or is it the other way around? – Doff is more concerned with keeping out of trouble, but when given the choice to help himself or serve the greater good he’s a fairly selfless person. Diedrich Bader has such a deep, rich voice that sounds pleasantly kind even when he’s swearing up a storm. There’s something gentle about Doff that Bader could capture. Plus it would be kind of fun to hear him and Alazraqui riff like and old married couple.
So those Are my picks. Obviously not everyone is going to agree with my choices, so feel free to tell me who you’d cast if you got to play Voice Director for the day.
Killing Joke.
Just hear me out for a second and bear with me because I’ll most likely be covering story elements that you’re well aware of but are important to point out nonetheless. Within The Killing Joke, Joker, as a means of torturing Jim Gordon and getting at Batman, shoots Barbara, paralyzing her, strips her naked, photographs her, and it is HEAVILY implied that she’s raped. And this is just to torture her father and Batman. The only times we see Barbara are when she’s shot, when Jim is shown the photographs, and when Batman goes to her in the hospital. At no point in this story does Barbara make any decisions or take any actions that effect the course of the story. She is a PAWN, a piece of the story that is actually about Batman, Joker, and her father. This is the definition of both 
the comics until 
Bottom line: The Killing Joke is toxic when it comes to attracting female readers and I doubt the animated movie would fare much better considering the most recent batch of animated movies have been all but gleeful celebrations of the PG-13 rating with plenty of violence and coarse language that makes it impossible for me to show them to my five-year-old nephew who loves Batman. It just doesn’t make sense, from a business perspective, to develop an entire line of 
The Maniacal Geek 